MADHURAM .. Sweetness Re-defined ..!!!

SHORT FILM ...!!!!

What is the first thing that comes to our mind when we hear this phrase ??

Bunch of amateur studs pooling their store room resources together to prove something, using their low-fi cameras, shaky shots, Local locations, shooting on weekends over multiple cups of chais out of their pocket money, adding voice-overs and sounds that sound like they come from the next universe, believing in their own little Make-up-break-up romantic stories and trying their best to fulfill their little fantasy of seeing themselves on screen or in the director's credits.

But how about a short film from some one who is different among the usual lot. From someone who can stand out and say, " This is how an Independent film should be made". From someone who has SOME knowledge of what cinema is and the power of this wonderful art-form. Some one who respects movies and has all the knowledge of those tools and trickery and uses them to great effect to paint his thoughts on silver screen. He did exactly that in his first Short-film Back-Space - A Path-breaking trend setter in terms of amateur film making by making a movie entirely from an I-phone. And now he is back with his second venture, a 1-hour Independent movie, Madhuram. And Boy .!!! .. he is back with a bang ...!!!! . He is none other than Phanindra Narrisetty.

Madhuram is a love story or a story of love - as the tag line says. As soon as i smelled this Romantic tinge in that title when i first heard about it, i was turned-off. " Why is Phanindra- the guy who made the awesome back-space, has fallen into that trap of making a romantic movie like every-body else ? Isn'it he different ? what the hell is he doing ? " ... These are the first impressions that popped in my mind because i was fed up with all the Romantic crap that this Short film industry was throwing at us. I was craving for something different from different people like Phanindra, and let be me honest here, i had the least of expectations on this.

But I owe an Apology to Phanindra now as I was proved wrong 

I WAS PROVED WRONG :

I was proved wrong as soon as i heard that terrific voice over driving the entire movie, something only people like Martin Scorsese have mastered. I was proved wrong when i realized that the backbone of this entire movie was that endlessly engaging conversation between those lifeless characters of a coffee cup and Mr.Specs actually, that actually bring life to the movie. The way Phanindra brings this Cup and Mr.Specs into his universe out of thin smoke and makes them the most important layer of his film is truly magic. You will have no idea when you un-consciously become so attentive to what they are talking about. Phanindra's dialogues play Abraca-dabra on your mind and i will talk about this in length. I was proved wrong when i saw Phanindra not only giving emphasis to Love, but also sparing some time to tickle all our pop-cultaral icons, from rajni-Kanth to Al-Pacino to Savithra, and addressing issues in a single line at flash speeds. Dialogue writing Magic again. I was proved wrong when i saw that story had a Multi-Layered non-linear treatment. Christopher Nolan Style. It was divided into seven chapters. Quentin Tarantino Style. Hyper-link format story telling, Steven Soderberg style. Bottom-line, Phanindra proved me wrong in every single frame of the movie Madhuram and in his own style, has Punched all the formulaic Romantic short movies right in their Scrotum.

WHAT I LOVED :

I loved Every freaking thing ...!!!

Lemme start with dialogues. The way the dialogues are written, it makes you wonder how many girl-friends this Dialogue writer ever had. Because they were not just lines, they were bullets. My assumption on a lighter note is that the writer must have been a terrific player with women because those voice-over lines, dialogues and conversations were simply terrific. They were witty, intelligent, satiric, comic, romantic, puzzling and mysterious and they were being fired like missiles in this entire 1-hour movie. Exactly the stuff women love. If the writer can engage a 100-thousand audience for one-hour with his dialogues, then engaging just one girl for eternity is no big deal for him. LOL . But I write all the above in my sense respect towards Phanindra as i am in the awe of his Pen Power. If a pen is mightier than a Sword, then Phanindra's pen here is mightier than a fucking rocket. Phanindra the writer is the real hero of this movie. And he gonna amaze a lot of people just with his pen. That dialogue of Micro-Love story our hero tells to heroine from 37:00 and 37:30 will make you pause the movie and reflect back to your past. It'll make you wonder How many micro-love stories you have lost in your life. That dialogue is something that i will etch in my heart for the rest of my life.

Phanindra the Director is no less. He commands an absolute Iron grip in every single frame and every single element of his movie with optimum clarity. Imagine this, you have half a dozen characters plus the lifeless characters of Cups and Mr.Specs, you are supposed tell a love story, but not in routine style, make it multi-layered, hyper linked, non-linear, divided in chapters. You are not supposed to confuse your dumb audience but you should not bore them too. To add pepper to your wound, you have to impress them in a genre which has been running in the blood and veins of popular Indian Cinema since ages. And you have to do this in a low budget and yet not compromise on production values and not make it look like another short film made by some Tom-dick and Harry of a B.tech college. I can only imagine how an Independent Director needs a hundreds of cigarettes to tackle the tension of getting his movie done, but The Director of madhuram here never loses track in all the scheme of things i mentioned above, keeps his cool, holds his nerve with patience, never lets his movie fall apart, holds it together firmly with the thread of his Imagination and succeeds in bringing up a memorable independent movie. Madhuram sets an example for all the aspiring Independent film makers thriving to make their name right now and Phanindra has provided them the oxygen they were waiting for.

Madhuram the movie itself is amazing. Starts with a fictious mythological back-story, unusual for a love story, and then challenges you to catch your breath amist all the multi-layered story telling style of phanindra, filled lot of twists and turns, emotions, flash backs, flash forths and heap of hyperlinks between the characters and leaves you speechless in the end. Two elements i enjoy the most in Phanindra's movies is the terrific editing and brilliant use of sound-mixing. We saw that in back space, but Madhuram takes it to the next level. With right proportions of jump cuts, match cuts, smash cuts and split cuts backed with terrific voice over, this movie serves as an editing text book for an aspiring editor. Phanindra's acute ear to the use of sound and the juggling between the dialogues, music, voice-over and the sounds is something so easy to over-look and very  hard to actually execute. 

Cinematography is simply BULLSEYE. Perfect canvas for a perfect story, another example of how a good director always extracts the best from his crew. Same of applies for music. If there were Oscar awards for short films, This would have definitely won for the music. The toughest challenge for the music director giving the back ground score would be, to catch up with Phanindra's lines but yet avoid choking itself with forceful insertion. I enjoyed this behind-the-curtain-race between the Background music and Phanindra's dialogues so much that, the one song in this movie dint feel redundant for a guy like me who hates songs popping out of no where in desi style. I am especially in love with that music bit at 10:40 where the hero picks a ear-ring from floor followed by that terrific Piano bit from 10:57. If that Mr.Cup-with-voice is the narattor of Madhuram, then the Back ground music is the voiceless narattor of Madhuram. Terrific music and this Music Director will go a long way.

WHAT I WISHED :

There are a few short comings in this movie though. Though the actors did a terrific job of delivering those Tongue-in-Cheek dialogues of Phanindra, the conversation between the Ravi and Chandini were a bit Cliche. I wish their lines were as strong as the Narrators'. The addition of the Mystery-post-card-girl character in the end was quiet redundant though it completed the story Arc of Phanindra's character. Phanindra's character himself could have contributed a bit more to the story instead of merely adding another layer to it. 

Nevertheless, all these weak points and short-comings become infinetly smaller in front of the Larger canvas Phanindra had managed to paint. And this painting is going to be the Monalisa of Independent Romantic Telugu Short films in the future. I hope the Leonardo Da-Vinci of this painting goes a very long way down the lane and re-defines as many genres as possible and show them ''conventional' people how its done. !!!

DHOOM 3 .. Thumbs down ..!!!

What is the purpose of a sequel ??? 

To be bigger and better than the previous versions. Well hello ..!!! Welcome to Bollywood ...!! Here sequels only become more and more dumber and stupid. Its the reverse case here. Dhoom 3 makes Dhoom 1 and Dhoom 2 look like works of Jules Dassin (no offense Jules). I don't expect Dhoom 3 to be an Italian Job or something. But at-least, it could have been a better than Dhoom 2 for crying out loud. (dhoom 2 is my favourite of this series.)

What do we expect from a Dhoom movie ? 

Not much. Just some nice action scenes and fancy bike chases with sudden burst of DHoom theme music, imaginative robbery scenes, fancy cool gadgets, hot chicks, chemistry and romance, Jai-Ali bad-cop-comedy, little LOGICAL twist in the tale, nice DHOOM title song and the most important of all  A COOOOL VILLAIN ...!!! .. Let us be generous and skip less important things like story, script, direction, acting, character development and B*ll-sh*t. Lets see how Dhoom 3 fares in THESE IMPORTANT DEPARMENTS ONLY.

1) ACTION SCENES and BIKE CHASES

What is the purpose of making an action movie ? It's to thrills your senses to an extent where your adrenalin is over-flowing. What Dhoom 3 does ? It dries up your existing Adrenalin and other brainy fluids that support your intelligence. It seems like the director imagined these bike chases after watching his son play the Chor-Police game with his toy cars. There is no chasing here. They just make the actors roam around Chicago on fancy bikes making vroom-vroom sounds to give an impression of speed and give us a tour of chicago, but we can do that ourselves on google streets without wasting so much of petrol. Instead of giving the sense of rush and sense of awe, these long and boring action scenes gave me sense of yawwwwnnn ..!!! .. and the less we talk about the logic, the better it would be. 

If the Chicago police knew that they will be treated like Indian Police in this movie, they would have never given the permission to shoot there, which would have been a HUGE RELIEF ....!!! To make things worse, the slow-motion show off in this movie gave me migraines. But thank-fully i was watching this on my laptop in VLC player, so i pressed x2 speed option every time this Slo-Mo show-off was triggered.

2) ROBBERY SCENES

You wont believe if i say, there were Robberies inspired and Executed exactly as shown in movies. Read this yourself on wikipedia.

 " In Malappuram district of Kerala, four members of a group of criminals had cracked the floor of South Malabar Gramin Bank in the early hours on 30 December 2007 and looted  2.5 million and 80 kilogrammes of gold, a total worth of Rs. 80 million, considered to be one of the biggest thefts in Kerala’s crime records. The Kerala Police have arrested four people in connection with this and the leader admitted that he was inspired by Dhoom. The media in India drew parallels to Dhoom 2.^{[13][14]. "}

Now ...!!!

Whats Dhoom 3's idea of robbery ??? 

Its normal sunny day, every body is busy, everything is quiet and ....

ABRACADABRA ..!!!!

Suddenly, the dollars are raining all over the place and Kaboom ..!! Aamir khan is running exactly how Tom Cruise ran vertically downwards  on Burj Khalifa in Mission Impossible. Thats it. Thats Robbery for you and you are supposed to believe it ..!! .. I wish this movie was renamed and telecasted on AXN as " Yash Raj's Believe it or not". That too in slow motion. 

3) TECHNOLOGY and GADGETS

Nothing new in this department. Its only like recycling the same cow's dung into a manure and showing it off as a fancy new fertilizer. Dhoom 2 was a clear winner in this department.

4) HOT CHICKS, CHEMISTRY and ROMANCE.

Hot chicks are there in this movie, but i wish their purpose was something more than being hot.

The chemistry between Aamir and Katrina is the most plastic romance i have seen in a movie for a very long time. And Uday Chopra's attempts to be a Romantic Comedian have inspired Adam Shandler to re-consider his career in Rom-Com acting.

5) JAI-ALI Bad-Cop comedy

Honestly, the SMS jokes have made me laugh more than what Abhishek and Uday Chopra could do. Continuing the Bollywood tradition of mocking Tamils thanks to chennai express, their opening scene of auto chase itself is so hammy, so hammy, ab kya bataaon kitni hammy. Uday Chopra does a 'Phata poster Nikli bike' and Abhishek Bachan does a 'Phati Deewar Nikla Auto' in this scene, and from there on, their only purpose in this movie is to walk in slow motion wearing Sun glasses. 

6) LOGICAL TWIST, TITLE SONGS

The songs are the worst to say the least. The twist is good before interval but the way that twist was used in the second half is the reason why aliens don't visit mother earth.

7) THE VILLAIN .. THE BACK-BONE OF ANY DHOOM MOVIE. (this part is going to be big ..!!!)

In my teenage, i never wished to be a hero. But i always wished to be a Dhoom Villain. Smart, Hot, Cocky, Unpredictable, Cunning, Intelligent, Serious, Self-Disciplined, Highly skilled, Highly Intelligent, Highly Athletic and Acrobatic and the most important quality of all - that pumping confidence and attitude. Hrithik Roshan showed all these just through his eyes. John Abraham was good too. But Hrithik set the standard too far for anyone to reach. He carried Dhoom 2 on his shoulders with his looks, dance, acting and stunts. He stole the show single handedly, even side-lining the great Aishwaria Rai. He was the complete package for an action hero. He re-defined villain-ism but making you fall in love with the villain and at point in Dhoom 2, you start feeling that Hrithik is the Hero here and Abhishiek is the villain. Thats the range of emotions Hrithik managed to generate. He convincingly got the Audience to fall in love with his terrific robbery schemes too.

Now i don't expect all those from Aamir. Its not his fault though. But atleast the writers could have taken an extra care atleast for this villain character. It would have been Awesome if Aamir's character was something like what we see in that terrific Interval seen in Fanaa. 

Instead of that, what writers choose to give us is this :

Looks like a wanted criminal's pic on Thane police station right ??? I was so dissapointed to see the portrayal of villain by Aamir Khan. Sorry to break it down here, but this is his worst performance till date. Looks like Aamir Khan chose this role only to help Abhshiek and Uday Chopra revive their Gloomy filmy Careers which are being run on the name of their fathers.

Serioulsy man ..!! .. what went wrong ??? Dhoom 2 was so well made. All i asked was to give me something better than that. Plus, i had that "Aamir Khan cannot go wrong" kinda thing going in my mind. Everything was shattered as soon as i watched that Bike going on a rope from one building to other. This is the article am writing with the least most interest, thanx to the movie. Thumbs Down Yash Raj ..!!! I f you tell me that Dhoom 3 is a parody to action movies, I will accept it. If you say its a serious action movie, Then Namasthe ..!!! you need a Psychiatrist. I am still waiting for that perfect Indian Action movie. I dono when my thrist will be quenched ..!!


( I am sure the following reviews on Dhoom 3 are more entertaining than Dhoom 3 itself, read it right away ..
http://www.thehindu.com/features/cinema/cinema-reviews/dhoom-3-magic-no-logic/article5486865.ece
http://imaansheikh.wordpress.com/2013/12/28/dhoom-3-a-detailed-pictorial-summary-of-an-incredibly-shitty-movie/
http://stupidusmaximus.wordpress.com/2013/12/22/dhoom-3-are-you-watching-closely/ )

LUCIA .. my Hats-off to this movie .. !!!!

I still remember the excitement i felt while watching Inception for the first time. That sense of confusion, that sense of mental breathlessness, that hustle to catch up with the story, that feeling of solving a puzzle piece-by-piece, that mind melting sensation in your head after the movie ends, that sense of achievement after figuring out the entire story-arc, followed by the sense of admiration for that Director's genius. Inception gave me that. It later became my inspiration for taking up short film making. And three years later, a Kannada movie took me back to those same exact memories and feelings. Now, this is something that i have never imagined, not even in my "dreams". Because i was like, " Dude..!!!  .. kannada movie .. ??? seriously .. ??? .. Get a life man ". Honestly, i don't know "Sandalwood" beyond Upendra. I cant even speak or understand a single word in Kannada. I am not even from karnataka. But this Kannada Movie, it changed my perception. It changed my thoughts. It affected my opinion. It mocked my under-estimation and it increased my respect towards the true talent of sandalwood. This  is the only Kannada movie i have watched in my life. But it gave life to lot a of my lazy cerebral brain cells, which have been craving for smart Indian movies since years. These are the few humble words i could muster up to describe this fantastic movie, which deserves more. The name of this movie is called LUCIA.

Now how Good a movie is LUCIA ?

Just Imagine Christopher Nolan Making Inception as a Kannada movie in a Bangalore setting. Imagine it being made on a tight budget, crowd - funded by the Facebook crowd, with limited resources and technology, unknown cast and a few dozens of technicians as Crew. How would it be ?

With the elements of 'dream vs reality' conflict, the non-linear story telling, a sense of mystery, twists and turns in the story, lot of parallel action editing ala Nolan style, it will certainly not only be a movie, but a deliciously complicated and engaging puzzle which challenges you to watch and understand it in a single viewing. Now add a raw Kannadiga touch of simplicity, a subtle humor, a multi-layered love story, a social commentary, a mockery on south Indian masala films and a pinch of loyalty sentiment. Now  grind them all in a grinder box and what you get to see in the end is a true master piece recipe called LUCIA.

What is the movie about ?

Its about our hero who is an insomniac - low class - torch bearer working in a single screen ' pakka mass' theater. To find some sleep, he takes a dream inducing pill believing that its a sleeping tablet. If addicted, this magic pill enables him to dream about all his fantasies of becoming a movie star and living a 'filmy' life style. Hence he leads a duel life, as a torch bearer in real life and as superstar in his dreams. If he stops using that pill, his dreams turn into night mares. Now that's only 10% of the movie for you.

I would not spoil the things for the viewers any further, but i can certainly tell it has the themes of multi-layered narrative, virtual reality, dreams, insomnia, effective parallel action cuts and all the other interesting Christopher Nolan stuff with a backdrop of a love story, catchy songs, genuine sentiment and many more . You can compare the genius of the director Pavan Kumar with Christopher Nolan here but not his movie LUCIA with Inception. Both are different and miles apart. Inception is an action-heist-sci-fi, where as Lucia is more of a Mystery - Psychological thriller which does more than thrilling your senses. It enthralls you on all levels. This is Independent film-making at its very best. Why else would Anurag Kashyap tweet, " My birthday gift to myself would be Lucia ..  " ? That is how i came to know about this movie in the first place.

Why i love this Movie so much ? what is so special about it ?

So many things are special about this movie and i have no clue where to start. Let me try :

1) The movie starts with a beautiful poem of Kanakadasa and a Chinese Quote on Illusion & disillusion. Watch how cleverly the director questions the audience through this poem indirectly. For me this is the first clue of the entire puzzle of Lucia. Are watching what you think you are watching ? Are you perceiving the story in a way you think you are perceiving ?  What if the story you think you are watching and perceiving is something else entirely ? Director Pawan Kumar beautifully soaks his entire movie based on this metaphor so well, that by the end of the movie the audience will bite their fists in admiration for not being able to anticipate how the movie ends. The Director lays out all the clues to see how smart you are, he makes you think you are figuring out his puzzle, but he is always two steps ahead of your game. At the end of the day he'll fool you but there is no shame in getting fooled by a good movie.

2) The best part of the movie is : ITS NOT A SERIOUS MOVIE AT ALL despite its heavy themes. Unlike a typical physiological thriller, you will not find it dark and dead and serious and boring. There are no psychotic villains or mad-arse doctors. This movie has characters which are lively and look like real kannada people walking in Bangalore streets. The dialogues don't have a faked seriousness in them, its just natural Kannada. The acting is just on the right notes. The cinematography is raw, natural, bright and the scenes are aptly lit. The drama in the screenplay never feels inserted. It doesn't take itself too seriously, its funny in parts and yet manages to keep you on your toes. Its a thriller that throws all the rules and conventions of a normal thriller movie in a garbage can. The director never succumbs to these rules and successfully tells the story in his own style.

3) Simply terrific editing. This must have been one hell of a challenge to edit, but the editor pulls off a perfect job, thanks to the clarity of the director. The way this movie is cut, it reminds you of Christopher Nolan. How ? Off course the frequent cross cuts even for a small scene and the parallel action cutting. A special mention to the parallel action cuts, especially the way they switch from dream mode to real mode, the right timing of that switching gives it a sense of fluidity in every scene and even in the songs set in both dream and reality modes, the editor acts like a virtual choreographer. It truly shows the amount of care taken by the director for every minute detail. Sometimes the editing evokes the humor in the way it cuts to the unintended hilarious face expressions of the chocolate skinned actors, sometimes it evokes the romance , sometimes the head spinning feeling and sometimes it is cut according to the music. In that way the editing is a mixed bag of switching genres. The movie switches to dream, reality, flash-back, Flash-forth and present on-going investigation scenes but  never loses its grip and gets clumsy, even for a moment, thanks to some tight editing.

4) A special mention to its songs. What is the role of songs in a typical Indian masala movie ? Even i never understood that till now. But i clearly understood the intentions of the director here : to mock the south Indian cinema culture. The  director cleverly uses the songs and the soundtrack for this purpose. The lyrics of the songs and their music are soaked with satire on these stereotypes. For example, The opening song and the Jamma Jamma song indirectly mocks our culture of a compulsory Introduction song, a romantic song and an Item song for our heroes, it mocks the way they are written, shot and edited. The Thinbedakammi (+the hilarious A for apple) song taps our xenophobic arrogance towards foreigners and our desperation to teach our culture to a foreigner. Every single song serves its purpose and nothing feels redundantly added. All those songs are catchy,  you would enjoy them even if you dint knew Kannada. They had that 'Kolavari Di' feel to them. Even these songs also have the parallel action cuts which is something Christopher Nolan never tried. Terrific use of the songs in this movie and i never skipped a single song, which i usually do while watching general Indian movies.

Excellent Sound-mixing too. Sometimes when the music goes quiet, the director makes the scene work using the sounds available around his environment. A perfect example of this is *spoilers, don't read if you haven't seen this movie yet*, the scene of Shankaranna's death in the theater's projector room, where nikki finds his body coiled up in film roles, the music used in that scene is actually the sound coming out of the movie playing in the theater. That Apt use of the sound there elates that scene. The image of Shankaranna lying dead coiled by the film reels beautifully suggests how his entire life was consumed by movies itself. Simply terrific use of symbolism.

5) The casting was right on the money. No glitz, No glamour, Every single actor and actress has that next-to-our-door look. Very naturally they slip into their characters and bring the story to life.

6) Let's see how many themes the director manages to stuff in this movie through small glimpses :

• The issue of Euthanasia on Moral basis.
• People's obsession with looks and Six Packs with quick results & how Pharmaceutical companies exploit them through false advertisement and branding for mere profits. 
• Our obsession with movies, movie stars, their life, their special treatment on sets whereas the extras get treated like peanuts and how their privacy goes to a toss due to the over-enthusiastic scrutiny by the media.
• An insight in the lives of 'Filmy' people and their inner disgust with the life of fame and glamour.
• An indirect commentary on the 5-songs-4-fights culture of south Indian Movies in a funny way
• The future of Single theater screens vs Multiplexes
• Penetration of other language movies and people in Kannada film industry.
• About the central role for Film reel projectors in this movie, the director once mentioned about it in an interview as a tribute to the celluloid and 100 years of Indian cinema which was bought to life by those reels.
• A very sweet and a multi-Layered love story which kicks all the 'formula-based' love story movies right in their face. Very real, very believable, very relatable and very natural. This is where excellent writing comes into picture. The writer covers all possible hurdles in a relationship from love, trust, betrayal, honesty, jealousy and possessiveness and yet never lets the movie turn into another melancholic love story. 
• A beautiful contrast upon the social division of characters based their incomes,, their homes, their life-styles, their tastes, that funny English-vinglish struggle of the deprived class people.
• A funny tap on our whole process of arranged marriages, especially on rural level.
• All these themes embedded in right proportion within a terrific story line, make this movie a beautiful dream you can go through for the entire 2 hours 15 minutes.

Again, the last time i saw a director who induced multiple themes and issues into his movies was Christopher Nolan, And now i have seen Pawan Kumar.

7) Can you believe all this stuff was done just in a 75 lakhs budget, out which 51 lakhs have been accumulated through Facebook crowd-source funding. What Ram Gopal verma demonstrated by making Dongala Mutha, Pawan Kumar has implemented in Lucia. What Ramu misused in department, Pawan Kumar has used it to great effect, the Go Pro cameras. What big budget movies hardly achieve through crores, the Lucia team has done with mere DSLR cameras. Lucia ha paved a new dimension to Independent cinema by following a unique path from its production to marketing. 

8) The most vital department of any movie, writing. Full marks to Pavan Kumar again for his terrific screenplay. He beautifully balances the entire movie swinging between flash-backs, dream states and different moods ranging from romantic to comedy to seriousness. He precisely allots apt amount of dialogue and screen time to each and every character leaving no hint of redundancy. Not even a single character is left to waste and you'll realize this in a second viewing. The comedy in this movie doesn't lie in those dialogues and slaps, but in the way these characters behave and the way their behavior is captured and cut. It never feels added as a parallel comedy track just for the sake of comedy and there is no mega comedian hired here to make you laugh. It's there because that's the way these characters are and it feels so natural. In the drama portions, you wont find a single trace of  needless Sensationalism, even in the crucial most scenes.

9) The last 15 minutes of the movie are simply true masterpiece. Why ?  Watch and know it yourself. You will then bow down and touch the feet of the director for the way he handles the most crucial part of the movie. Without over-sensationalizing the climax just because its a climax, he'll silently blow your brains out and make you watch the entire movie for the second time so that you can completely come in terms with your understanding of this story. Your saluting to the director is what that follows next.

10) Last but not the least, patiently sticking to his story and constantly backing his belief on his ability, though director Pawan Kumar has went through many rejections from big producers, since last two years he has put his 200% effort behind project Lucia. His hand is visible in every department and his dream is worth coming true. I have never seen any director, even independent, who works round the clock for promoting his movie even long after the release. Till today, i get updates of Lucia on YouTube and Facebook. A true hats-off to his immense passion and persistence behind this project. 

What can i add more ? Other than to recommend as many people as possible to watch this movie and breathe some hope to the aspirations of independent filmmakers like Pawan Kumar. Actors Irfan Khan and Vivek Oberoi have voluntarily promoted the movie. May many more come forward to promote Lucia. May many more accolades come to Lucia. May many more good kannada films churn out in future inspired by Lucia. May the money minded producers invest much more in smarter movies inspired by Lucia. May many other talented kannada directors get more freedom to give wings to their ideas, inspired by Lucia. May the urban Kannada audience start taking Kannada movies more seriously after watching Lucia. May every Kannadiga feel proud that Lucia is a Kannada Movie. May god give strength to Pawan Kumar to make movies more awesome than Lucia in future. This is not just a movie, this an achievement of a passionate film-maker who made something magical defying all the odds against him and hence worthy of every praise. That's the reason why i spent two days for writing this article alone. That's how much i loved this movie. That's how much it Inspired me. Thank you Lucia and team for quenching my thirst for a smart Indian movie. I have watched it three times already and every single time i watched, i discovered a new clue that i had missed before ..!!! .. To Pavan kumar and the Makers of Lucia, I simply tip my hat and say ... BRAVO ..!!!

GRAVITY in IMAX-3D. (My Love Letter to this experience).

You may probably never become an astronaut in your life. But the least you can do, is watch Gravity in IMAX 3D and feel the near astronaut experience. But, if your parents watch Gravity, they will never allow you to become an astronaut in the first place. Because, that is what this movie is about. It captures the worst possible nightmares of an astronaut, the hazards of working in space. It’s not a good idea to be working in a place which has no life, which has utter silence as the only companion, where there is maximum risk with minimal possibilities of rescue, where no one can hear your cries for help and be stuck in there in a space station in a line of work which has very thin margin for error. Yet the director Alfonso Cuaron strikes a chord with his beautified vision of the space job, hence giving us the most memorable imagery and breath-taking set pieces we have ever seen in a space film. This is the masterpiece of all the space films so far since the Stanley Kubricks Space Odessey 2001 in 1967.

Set in today's age with today's technology thankfully, Gravity is a survival-thriller-horror story of two astronauts on a usual space mission, who have escaped a major space disaster of their space shuttle at 337 miles above earth with no one to help. But there are no villains here, like aliens. It has a plausible disaster and believable physics. But the sheer experience of watching those disastrous events on a giant IMAX screen will only suspend your imagination in disbelief. It is nothing but 127 hours + Life of Pie set in space, but it’s more visceral. It has the story’s proximity with a single character like in 127 hours, surrounded by the infinite visual beauty like in Life of Pie. It is simply amazing that Alfonso Cuaron created everything in Gravity out of a $100 million budget and just 2 on-screen actors (plus other voice actors for mission control of earth). But the entire movie is populated by the amazing performances of Sandra Bullock (as Medical Engineer Ryan Stone) and George Clooney (as Lt. Matt Kowalski), their conversations, jokes, back stories and most importantly their emotions. Both have a perfect chemistry and display such mutual importance for each, you wonder if they have ever dated in real life. Sandra Bullock gives a solid performance. Imagine this, you are a 50 year old woman, and you are left hanging in rigs and robots twisting your body up and down like a toy to simulate floating in Zero Gravity, yet still you are never to let that strain show up on your face. Sandra Bullock hits bull’s-eye in every scene despite all the physical strain around her, and successfully carries the entire burden of the story on her shoulders. Hats-off  to her composure. She is the one-woman army of this movie.

But what really stole my eye is what Alfonso did with his $100 million budget. I left the theatre wondering about these following questions, and so will most of the audience, especially the movie-makers and VFX geeks:

How did he do that opening shot in a single take for 17-minutes? What a beautiful choreography and execution of that opening shot? How did that camera went floating around with characters and eves-dropping at their conversations for 17 minutes without a cut? How did the camera’s point-of- view shift from outside the body to inside helmet in a single take without cut, that too with continuous spinning? Did they really shoot in space? If not, which element is CG, which element is real? How did they manage to do Zero gravity? How were the actors and objects shown floating in space so flawlessly? How was their complicated trajectory designed? How did they manage to show that ferocious speeds of debris? There is no sound in space, but still, i was able to feel the impact of those collisions. How? How long did they plan this thing? what a precision ? What an execution? What an accuracy? Is it how it is in space for real?  What a vision? what a movie.!! What a seamless marriage of acting, direction, imagination, technology, science and spectacle !!

James Cameron was right, and I too must confess that this is the most beautiful space photography ever done in any space movie. Couple that with the amazing IMAX 3D, it gives you an out-of-the earth experience. Advantage of IMAX 3D is, you get to see those beautiful but minute details like, that sunrise on earth as seen from space, that line of Day & night moving towards west, the Google earth-like-POV of the towns along the river-Nile of Egypt dimming their lights as the day approaches, those beautiful patterns of clouds and hurricanes etc. On one side you feel the colourful vastness of earth and on the other side you feel the lifeless emptiness of Space, an experience only reserved for space travellers is now available for the movie-goers in those IMAX screens. The Dark space and the bright earth serve as metaphors for helplessness and hope, a beautiful theme evident in the movie. The camera moves (floats) with such a slow and steady fluidity that you have all the time on this earth to observe those beautiful images and little details, scan every corner of the giant IMAX screen and still be able to follow the dialogue and absorb their underlying themes like a sponge. The Audience go floating through-out this movie, they are into a virtual Zero-G environment in their sub-conscious already. That image of the earth's gloriously vast curvature shimmering in the sunshine might as well be your desktop's wall-paper.

Gravity is filled with loads and loads of thrills. There is no sound in space, so how to achieve that without murdering the simple physics? Firstly, the camera never shakes or blurs like in your typical action movie. It is steady, and hence allows you completely feel the terror of the space collision by multiplying the impact with an intelligent background score and the amazingly précised reactions of the actors. The scenes of colliding, tugging and pulling of objects and bodies in Zero gravity environment are so beautifully choreographed, that all the lessons of your physics textbooks will be flashing in your mind. A fan or a geek of the Physics subject will be delighted to see all those Newton’s laws come to life for the first time, and put to practical  use right in front of his eyes. The geography geeks watching this movie will be busy spotting India, Srilanka, Egypt and River Ganges going by the shapes of the Land-masses visible from space. Because the Camera beautifully settles down and lets the audience enjoy the 'unbeatable' view as mentioned by the George Clooney. Get ready and hold your breath, for those breath-takingly spectacular action sequences that will blow your mind and drop your jaw in the salute of Alfonso Cuaron’s vision.

On one hand you will be fascinating about floating like super-man in zero gravity. On the other hand, you will be terrified to see how the astronaut is helplessly drifting away into deep space in the same zero-gravity with nothing to stop, after being thrown away by the collision impact. Real time astronauts will be thanking their Gods after seeing what kind of situations these Characters go through in Gravity. Such is the way Alfonso captures that that terror, with his immersive camera movement and super long takes with precise choreography of these sequences; he simply sucks you into this experience. That shot where the actress is continuously spinning in zero gravity, the way the camera is spins outside the body for a while and fluidly shifts the POV to inside her space suit’s helmet, giving you an inside-out feel of that situation, is one example of his genius. You can even observe the reflection of the earth spinning upside down on the glass of that helmet. For me that is one of the best images of this movie, and there are so many of those.

When you are surrounded by a cacophony of terrible movies, when you are in a dire need of some terrific entertainment on all levels, its movies like these that come to our rescue. They pat our shoulder and make us feel safe about the future of good movies. Alfonso captures every imaginable terror of an astronaut, ranging from the fear of getting lost in the vastness of space, the lifeless loneliness that this dark space offers to the fear of getting stuck on those small space capsules alone forever. He really captures some breath-taking images, making you wonder how huge the earth is and how small and alone are we in this gigantic universe. Kudos to Alfonso Cuaron, his vision and his five years of dedication behind this movie. May his movie win Oscars in best movie, best director, best actress, best cinematography, best VFX, best sound design, Best background score and what-not?

Krrish 3 (not a review).. :P

JUST IMAGINE ..!!!! (A dialogue in Krrish)
The reactions of various people watching Krissh 3..

1) A Indian kid who usually spends his entire childhood with POGO and Chota Bheem :

He enters the theater and with gleaming excitement in his eyes, huge expectations in his heart and beautiful memories of Koi Milgaya and Krissh in his brain. And he will not be disappointed. He'll cross his heart with promise, when the Krrish says "Don't try my stunts at home". He'll try to whitsle for krrish, which he can't and empathize with him, when he can. He'll go ecstatic when he sees Krrish flying along side an Aeroplane.  And since he dint see any thing beyond Chota Bheem, he'll go "Wow" and "Awesome" for all the action scenes because they are something " Beyond his Imagination", at-least to his level of exposure. But bottom line,  He'll have a Blast and waste 1GB of Internet data two months later to download a 1080p of Krrish 3 from torrents and store it in his computer forever. (If he has a parent like me, he'll probably hide that movie with a password, fearing the parent would delete anything from computer that will increase the child's dumbness. :P). Yes, kids will love this movie. But then again, they also love eating mud. What do they know ?

2) A poor Rickshawala, a Bollywood worshipper in his youth, a generation which sent Whats-app messages to their Girl Friends using pigeons :

He'll be pretty darn impressed. He'll be thinking, " Agar aaj Rajesh Khanna zinda hotha". He'll typically clap for all the old-school dialogues in Krrish 3, because they are quite similar to the old masala movies of his generation. Same applies for everything, from songs to sentiments. Even the villain's character is nothing but a mash up of X-men's magneto+professor X+ Amresh Puri of 1980s. After seeing all the grand impressive Hi-tech sets, his eyes will be rolling with tears of happiness. Happiness on seeing how advanced and "Posh" Indian cinema has become. And since he would have obviously seen Titanic and jurrasic park, the biggest english hits in India on those days, he is quite convinced that, "Yeah, We are reaching there, Bharat mata Ki Jai."

3) Rich-ass youngster, a Hollywood fanatic :

These guys would have spent half of their life speaking in Fake accents. So they enter the theater their ya-yas and yo-yos. They will be wearing sun-glasses INDOORS. And as soon as the movie starts, they'll go, " Dude that's copied from spider-man, Dude this is from Batman, Dude that scene in is X-men ya, Dude this, dude that, dude your-a** " and they'll finally end up with, " Indians never change man, Always copying". Though they are partly right, i wish they had spared a little thought for the imagination of the director, If not his execution. (Though i agree climax was like in Man of Steel, with the Hero and villain "9/11-ing" all the buildings in Mumbai, with unexciting action scenes Stretched like a bloody Chewing Gum, Never ends).

4) Our Neighboring Aunties. (Read : Star plus serials Fanatics)

" Oh how sweet na ? The father-son sentiment, the Husband-wife sentiment, The Grandfather-Grandson Sentiment. 'Shame-to-shame' (i mean it) Just like our Saas-Bahu serials, but with fancy-dress-Latex-suits costumes." (So any science-fiction movie is incomplete without Latex costumes huh ?)

5) Science Teachers :

"We should ban this movie or else children will get wrong opinion on Human Evolution and Adults will forget the Science they read in their 3rd Class CBSE science textbook. (LOL). For the Entire movie, they will just  be ROFLOL-ing to all those scientific terms that are explained in pure Hindi.

6) A Serious Film Critic who criticizes sharply, like a slap on a face  :

" The Back ground music is so bad, I would rather stab my ears with Anu Malik's Tongue. Why does the Villain's costume in Climax looks like it was assembled by the monkeys of Madagascar movies using a stolen aluminium foil from a lunch box. ? Why do we see so many brand hoardings in every shot ? Is this a 2.5 hour long Advertisement with a 10-minutes interval for extra advertisements. ? Why does that villain just kills his scientists and dad for no reason ? Is it just for the sake of showing villainism ? How mediocre ? Why is that side actor looking into the camera ? What is the  exact role of Kangana Ranauth, apart from Flaunting her b**bs ? (oops. :P). 

(But those are true valid points you'll ask yourself while watching this movie).

7) Hrithik Fans and Admirers :

"Why Hrithik Why ? Why this Kolaveri di ?"

( But They obvioulsy don't observe that Hrithik is only-and-only thing or person watchable in this movie. His performance as Childish-Adult Rohit Mehra, is still as awesome as it was in Koi Mil Gaya, though everything around him is shamelessly funny. No change in that fact mama..!!!).

8) Smart-asses, those whose predict ahead about the story, every thing is so obvious to them :

"Now she'll  kiss him obviously, Now there will be a song obviously, Now she'll fall in love with him obviously, Now there will be fight obviously .
 (Well yeah buddy, they are called Bollywood rules. i agree with him. Most of it is obvious pretty much. Though there are few surprises, they are not really worth your bucks. And if you had hopes that Bollywood will make something on par with Hollywood in the near future, you will lose them obviously.)

9) VFX and action movie fans, who have watched the climax of Avengers, 10000 times.

Guy 1  : OMG, so awesome, what software did they use man ?

Guy 2  : Looks like MS paint man. Hahahahaha. (They both LOL and Hi5 each other.:P)

Guy 1 :  Do you like those fight scenes, their choreography and all ?

Guy 2 : They Remind me of Pokemon fights. (they repeat the above. :P)

Guy 3 : If the guy who invented this green screen technique saw Krrish 3, he'll faint, then wake up and then he'll kick himself for inventing it in the first place. He'll try to dis-invent it to avoid further insult to his invention.
Guy 4 : Seriously bro, Shaktimaan's fights would have looked better if they had this budget in those days.

10) My reaction.

Honestly, I was glad that it was not as worst as Ra.ONE. Ra-one is an insult to the intelligence of humanity. Of all the movies I've seen, I had the worst of expectations on Krissh 3, thanks to trailer. After movie, there was disappointment, but less painful than i had for Ra-one. In krrish 3, the director atleast tries to bring some logic to the movie. Atleast Rajesh Roshan had some good intentions and made mention-able efforts to bring together all the plot-points and make some sense through it. That's something definitely worth a comment. Hrithik was very much watchable, but priyanka Chopra was plain annoying. And i have explained the role of kangana Ranauth above (LOL, but dude, she is hot, seriously. :P). Every single point i have pointed above under every reaction is absolutely true and valid. But overall it's a "For the Kids, by the Kids, With the Kids" movie. Despite it's rare positives, I wont recommend it to my city friends who will have to spend 200 rs because of me, so that they will come and kill me Later. Because, in that situation, even Krrish will not be able to save me. Even he knows what i deserve if i do that.

So folks, before watching, just decide to which category of audience do you belong and save your money. It's up to you now. May God ( Read krrish) save you from turning into atheist after watching those God-Allah-Bhagwan songs of Krrish 3. LOL :P.

HITCHCOCK (My Review)

Before watching this wonderful bio-drama directed by Sacha Gervasi, ask yourselves just one question...

Are you a worshipper of Alfred Hitchcock and his movies, especially Psycho ?

If no, then this movie is just another boring drama where you have no idea about who is going through what. If you don’t even know who Hitchcock is, if you’re one of those first time hearing his name – type of oblivious living beings, completely avoid this movie instead of watching and ranting about it later. But if you’re a fan of Hitchcock, and especially a fan of Psycho, here is something you can geek about. Hitchcock is a movie about the making of a movie which had kept 60% of the Americans away from having showers. It focuses on the relationship between Hitchcock and his wife Alma during the production days of Psycho.

Well what can you expect from this movie?

If you are a fan like me, expect a wide grin on your face the moment you see Hitchcock handing the novel Psycho to his wife and saying “I just want you to read a little bit here, it takes place in the motel Bathroom”. Find yourself documenting each every detail of the Production and go OMG when you see the sets of those phenomenal scenes of Psycho we all know about. Expect yourself floating in the air, when you see your Norman Bates in Anthony Perkins’ look-alike James D’Arcy, when you see the use of a rear screen and a dummy car to film the scene of Janet Leigh running away, when you see Hitchcock and co. discussing about the music for the Shower scene and when you see secretary Peggy saying “I think I’ll never have Shower again”. Expect yourself to go nostalgic every now and then in those little moments. We are talking about a movie that is talking about what the makers went through when they were busy making our favourite movie.

If you’re a good observer, you’ll notice certain scenes in this movie that serve as a nod to Hitchcock’s obsession with voyeurism, something which is also reflected in Psycho itself. If you’re a film-maker, you’ll relate yourself with the hurdles a director has to go through with the censor and the Studio CEOs to retain his artistic vision. If you’re a family man, you’ll realise what it feels like to work in a glamour world and still hold your family, your collateral assets and your secret temptations on the charming blondes together. But what we all observe in the end is a vibrant celebration of the making of Psycho and a perfect tribute to the Master of Suspense. I am sure that this movie would have impressed Hitchcock himself, if he were alive.

Based on a novel Alfred Hitchcock and Making of Psycho, the film opens in 1959 after the success of one of my favourites, North by Northwest. You are greeted with the sumptuous production design of 1960s, equivalent dressing and a Corpulent badly figure of Hithcock himself, thanks to some amazing make-up work on Anthony Hopkins. Getting obsessed with the novel Psycho, and eventually deciding to bring it on screen, Alfred finds everybody displeased around him with his decision. But he casually quips about that saying, “That’s the whole point my dear”. After failing to find producers for his movie, Hitchcock hangs his finances in balance, after selling his house to back his movie. These are one of those took-by-gut decisions, which make great stories worthwhile to make a movie out of them. From here the movie takes a turn like suspense movie, despite the fact that we know how ends. But the suspense is not of any murderer and the victim here is not a blonde. The suspense lies in how Hitch manages to show nudity without showing nudity, how succumbs to his own subconscious’ thoughts and his nightmarish-delusional rendezvous with Ed Gein , how he puts his assets at stake, falls ill, gets rejected and still manages to make a movie that scared the hell out of an entire generation. The suspense lies in how he will retain his well-mastered artistic creativity with all these cobwebs around him.

Sasha Gervasi took excellent care in every detail of the movie, from casting to production design to the look of the movie. They way he treats all the scenes, especially while dealing with all the nostalgic references, shows his respect for the master himself. Though there is a danger in getting lost in the Aura of Psycho, Gervasi still manages to keep the focus of the story on relationship between the main leads. It’s a sumptuously shot movie, cinematography wise, full of brightness and colours. The screenplay is amazing, with dialogues varying from the witty tongue –in-cheek British style humour to serious conversations. The leads get the best of the dialogue. They not only provide us many a laugh but also keep us hooked and engaged even when they are in a serious exchange of words. Hence the one-on-one scenes of the lead roles stand out in the movie despite so much nostalgia surrounding them. Though not a fan, but atleast as a general audience, you’ll find yourself rooting for these characters.

The casting is fantastic to say the least. Interestingly, Anthony Hopkins, who played Hannibal Lecter in silence of Lambs, a Character inspired by Ed Goin, is cast as Alfred Hitchcock, whose Norman Bates was also inspired by Ed Goin. I am convinced that our generation fans don’t have to cry for not having seen Hitchcock. Because Anthony Hopkins is the closest of what we can possibly get to see of Alfred. Thanks to the magic of Make-up and prosthetics, the shadow of his Plump figure and balloon like face itself is enough to convince you that he is the man indeed. Add that to Hopkins’ effective performance, his funny accent and his expressions, you will feel the essence of Hitchcock in Hopkins, right through the movie. From Hannibal Lecter to Hitchcock, what a transformation has he gone through. It’s quiet unbelievable that it’s been twenty odd years between Hannibal and Hitchcock. But the real show stealing performance is by Helen Mirren. With her startling act as Hitch’s wife, Helen gives you a perfect idea of how it feels to be sidelined amist the fame of her genious husband. Battling her way to find her own thing with her personal life, Alma still remains that one woman who is behind every great Psycho. Watch out for that scene where she bursts out in a fury of monologue at her husband and asks him to stop treating her like his "Contracted blondes". And off-course, Scarlett Johansson is so beautiful; you’ll have to watch her under parental guidance.

All in all, Hitchcock is one of the funniest bio-pics i have ever seen. It’s cleverly written, well casted and well-directed movie. The story has been treated with humour and respect, instead of making it into the usual boring self-introspection banter with dark and brooding overtones. This movie is more of Light-hearted tribute, a love letter in all sorts to the man himself and his iconic motion picture. I've enjoyed this so much that I stayed awake till 3:30 am to complete this review after having watched it by 12 at midnight. Because after all, I am a Hitchcock worshipper too.

MADRAS CAFE (My Review)

Madras Cafe would have easily become the Blood Diamond of Indian Cinema if not for its few short comings. But let’s not talk about them first. Let talk about the goodies and appreciate that:

1) The director and the producer had the balls to make a movie on a very sensitive issue of LTTE and Tamils. They have risked this project against a mindless Backlash from Tamils, the most sensitive livings on this planet who won’t even tolerate a feather pointing at their culture and sentiments.

2) The film-makers dint give-in to the commercial demands. They completely avoided Bollywoodization of their movie, and did not rape the subject with item songs and fancy dance numbers.

3) John Abraham, the producer, took the risk in investing in something that was not commercially viable & yet maintained an authentic feel to the movie without making it a yet another “Desh-Bhakti” movie with over-loaded lectures on Indian Patriotism. The Zeal to do something different was evident in John Abraham, as it was in Vicky Donor.

An Indian movie, something about armed forces. What do you expect? The obvious story of Indian Soldiers Battling in the mountains of Kashmir against the obvious enemy, Pakistani army? Or the usual rescue of Indian hostages and teach the terrorists a lesson type of movie? Along with a long lecture of commander-in-chief to his boys before the final Battle, like Shahrukh khan’s speech in ChakDe ? The cheap thrills of time bomb defusing when we obviously know that the Hero is going cut the right wire? And the display of Indian Flag and echoing of national Anthem & Vande Mataram every now and then? This is the Bollywoodized version of a war movie in India.

But John Abraham is set out here to do something different. The film makers choose a different subject and a neighbour entirely. And against the culture of Bollywood, this story is a mixture of actual History with Fiction. Madras Cafe is about the events that led to the assassination of the Rajiv Gandhi, and the story of our hero John Abraham, his covert missions in Srilanka, how he gets tangled in the Srilankan Politics while uncovering an assassination plot of an EX-prime minister and eventually fails to stop the assassination (Yes dear Indian audience, we can’t change the history, just to make our hero win). The names are changed for obvious reasons we all know. The villain is Anna something (synonymous to Prabhakaran) and is the leader of LTF (synonymous to LTTE). The historic details are laid out at the start so there is no problem for people unaware of the Sri-Lankan civil war.

What i enjoyed was, the authentic tone, the raw & gritty feel of a military war movie, giving a complete idea of the conditions these soldiers fight in. May be its the magic of that shaky Blood-Diamond style cinematography, we get to see the some real-life military action, genuine military tactics and manuovers and some gruesome guerrilla-combat. The camera captures that harshness in the terrain of those lush green swamp lands, and Amazon-like-dense forests and since all the action is set here, it is double gritty and gruesome. There is a lot of blood spilled and some images are not for the faint hearted. The second half really picks up the pace like an express train and gives you no time to breathe. Crisp editing and an engrossing back ground score take the thrill in the second half to a notch higher and leave you spell-bound when the movie reaches its climax.

 From the standard military tactics to the tactics of guerrilla warfare, from the procedures followed by the suicide bombers to the secret communication protocols followed by the Indian Superiors & terrorists, an authenticity is maintained throughout the movie and nothing in this aspect will sound artificial. The final scene, where the bomb explodes & ex-PM is assassinated, leaves you speech-less in its impact. Wonderfully made and executed, this scene works big time though you know how it ends because, its edited so well that you feel like seeing something live of what your father would have told you in few words about that fateful assassination.

Here, our hero is not a fancy JAMES BOND type secret agent who sleeps with sexy girls during a secret mission. He is a real man, has a real wife, who has real worries. This relationship will make you feel sorry for all the wives of the military men. The movie has underlying themes of political conspiracy, War profiteering, and exploitation in a humanitarian crisis and throws light of the devastation in the lives and infrastructure of the Lankan people due to the war. It also manages questions the motives of war where destruction reaches to a point where there is no one left to win.

But what makes this movie fall short from likes of Blood Diamond or Black Hawk Down is the clumsy screenplay. The story itself is narrated as a flashback and the writers here, could have found a better excuse to tell the story than John Abraham confessing this story to some father in the church. Why do you need a love-making scene a movie of this kind? Its placement was absolutely redundant and blundered. Some of the acting was quiet plastic to say the least. Especially Nargis Fakhri, whose character was written only to insert a female role in this scheme for the movie’s sake. The only important thing that Nargis Fakhri’s character, a British Journalist (with American accent), does is, provide a piece of vital information. Before and after that, you have no idea what she is doing in the movie. Majority of the scenes fade out abruptly every now then, giving a dis-continuity feeling, as if this is a Quentin Tarantino movie divided into chapters. The first-half is tiring to sit through. But as i said earlier, let’s not talk about the short-comings.

Though you a get a “Something missing” feeling after walking out of the theatre, Madras Cafe is worth-a-watch, at least for the sincere effort of the director and producer. If still in a dilemma to watch or not, just think of the “bollywood” movies you have in theatres as alternatives right now. I hope you’ll be convinced enough.